Italian-German cooperation at Hattusa: an integrated project for the development of new technologies dedicated to the study of Hittite history, supported by Ministry of Foreign Affairs and International Cooperation (scientific director C. Pepe - Università Suor Orsola Benincasa). The project included the study of the sculptural decorations on the walls of the Yazilikaya rock sanctuary, the most significant monument for the religious and cultural history of the Hittite capital in the 13th century BC. The surveys were carried out using different procedures in order to offer a very high definition 3D rendering from the detail of the hieroglyphic inscriptions, to the entire rock complex. In some areas of the sanctuary, the manipulation of models of the individual sculptural decorations in a virtual visualisation environment made it possible to obtain three-dimensional representations containing elements not visible to the naked eye, which can respond to different problems and needs for study and new interpretative hypotheses.
Yazılıkaya kabartmaları: güncel 3 boyutlu dijital taramaların ışığında volumetrilere ilişkin yeni ve eski “okumalar”. / Le sculture di Yazılıkaya: nuove e vecchie “letture” delle volumetrie sulla base delle recenti rilevazioni tridimensionali.
M. Marazzi;C. Pepe;Leopoldo Repola;
2023-01-01
Abstract
Italian-German cooperation at Hattusa: an integrated project for the development of new technologies dedicated to the study of Hittite history, supported by Ministry of Foreign Affairs and International Cooperation (scientific director C. Pepe - Università Suor Orsola Benincasa). The project included the study of the sculptural decorations on the walls of the Yazilikaya rock sanctuary, the most significant monument for the religious and cultural history of the Hittite capital in the 13th century BC. The surveys were carried out using different procedures in order to offer a very high definition 3D rendering from the detail of the hieroglyphic inscriptions, to the entire rock complex. In some areas of the sanctuary, the manipulation of models of the individual sculptural decorations in a virtual visualisation environment made it possible to obtain three-dimensional representations containing elements not visible to the naked eye, which can respond to different problems and needs for study and new interpretative hypotheses.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
